Saturday, 27 February 2010

Evaluation



1. In what ways does you media product use, develop or challenge forms and conventions of real media products?
The media product in question is a film involving the thriller genre. A thriller movie can be classified into two specific conventions either classical such as that involved in the making of films such as 'Psycho' and 'From Russia with Love' which can involve characters such as Femme Fatales. This is compared to the more contemporary characteristics involved in the making of thrillers such as '28 Days Later'






















Many normal conventions of a thriller movie include:


  • A tense score that increases in pace and suspense is built surrounding the lead character.

  • The editing increases in pace as long, quick shots are aided by the help of cross-cutting.

  • Enigmas are set up for the audience to try and work out

  • Many close ups maybe used with high and low angles to show the balance of power between the two or more characters involved, and,

  • Lighting is mostly low-key with a male predominantly playing the lead role

Basing my media product on these five indicators, it can be seen as fitting the classical mould. However it can be seen as unconventional to traditional thrillers as the film contains the use of a female protagonist compared to traditional thrillers such as James Bond.

Films such as Traitor and United 93 can be seen as inspirations for the film creation as it incorporates the idea of a person/people wanting to take revenge on the power that the key character cannot have. The basis of which is explained in the thriller movie created as the key character, Madeline is seeking revenge on the power that is the school for what has happened to her. The implications of using a female Asian character as the protagonist goes against conventions as in movies such as Mission Impossible, The Bourne Ultimatum and Casino Royale involve white, male protagonist with Tom Cruise, Daniel Craig and Christian Bale leading the movie.


1. 2. How does your media product represent particular social groups?

Many social groups have opinions based on them through stereotypical views on the average appearance of the group. For instance young people are seen as a nuisance because of yobs. There were six main areas of representation that had to be discussed when making this film. Each of the six areas needed a discussion on how each would be represented and how we would involve the different groups of representation.

Firstly, a female character leads the movie, which in itself was seen as unusual as predominantly, males are seen to be leading a thriller movie. This in itself goes against the stereotypical view of a lead character in a movie as a minority of films use females as the lead role in a thriller movie.Going against this stereotypical view conveyed the message to the audience that initially not only men have the top roles in movies but also that the use of a female with glasses seemed go with the stereotypical view that many of those that are bullied normally have these or some of these characteristics. This can be compared to that of Kill Bill as although the main character is out to out to exact revenge on a greater power than her, but Madeline goes against the greater power is a less direct fashion than that of Uma Thermon in Kill Bill, meeting the convention that females are less physical in their search for revenge.

Furthermore the plot of using a minority as the eventual bomber, does go along the lines of the stereotypical view of an Asian based person being a bomber, however instead of the extremist views that normally overshadow the values of a bomber, the key character instead is pushed over the edge by school bullying a thing that is widespread amongst nations.

The screenshot taken from the film, United 93 that highlights (terrorist plot of September 11,) shows that the stereotypical view of a terrorist in the mainstream American movies is a male of the Asian race, rather than females showing that it was unconventional to portray a terrorist as female.

Furthermore the involvement of a youth as the main character holding a bomb conveys the stereotypical vision to the audience that the character has to be extreme in her views compared to is an elderly man had been holding a bomb in a brief case.

In areas such as Northern England there is a much higher rate of Asian cultures of which they could possibly take offence to the common view that it has to be someone of the Asian race that has to bomb somewhere and not a young white man from Croydon for example. Furthermore if the typical view of a white girl from Essex was to lead the cast, the audience would feel that the bomb wouldn’t go off or that the traditional stupid view of this type of person would be upheld.

However the involvement of a typical power relationship of parent – pupil is upheld towards the end of the movie as the member of staff (Mr Boothe) is seen telling Madeline to “get on with her work” something that even though it was reluctantly done, was still followed out. The power of the teacher is something that can be related to by all as many people believe like Madeline in the plot that teachers either are against them or don’t take their side in close personal matters such as in this case the bullying of the key character. The school through the movie is portrayed as unwelcoming to Madeline in her case of bullying. It shows that through the continual dismissal of bullying has led to these circumstances.

3. What kind of media might distribute your media product and why?

In media there can be seen as five main industries to for new products:

  • · Cinemas
  • · Television
  • · DVD/ Video
  • · Social Networking
  • Film Festivals

Firstly cinemas can be broken down into; mainstream, Independent and Art house. Mainstream films can best be defined as commercial films that know a wide release and play in first run theatres (A movie theater that runs primarily mainstream film fare from the major film companies and distributors, during the initial release period of each film). Being sold at popular stores (such as Amazon.com or its affiliates), or more typically, at general stores (such as Wal-Mart and its affiliates) can also be an indicator. Hollywood movies are usually considered mainstream and blockbusters are also mainstream films. The boundary is vague. Mainstream suggests middle-of-the-road and implies commercial viability, sometimes implying that the commercial viability is tantamount to a loss of artistic creativity. The opposite of mainstream film may be experimental film, art film or cult film.

Independent films however are a film that is produced mostly outside of a major film studio. The term also refers to art films which differ markedly from most mass marketed films. In addition to being produced by independent production companies, independent films are often produced and/or distributed by subsidiaries of major studios. In order to be considered independent, less than half of a film's financing should come from a major studio. Independent films are sometimes distinguishable by their content and style and the way in which the filmmakers' personal artistic vision is realized. Usually, but not always, independent films are made with considerably lower budgets than major studio films. Generally, the marketing of independent films is characterized by limited release designed to build word-of-mouth or to reach small specialty audiences.

Art House films, are typically a serious, noncommercial, independently made film aimed at a niche audience rather than a mass audience Film critics and film studies scholars typically define an “art film” using a “...canon of films and those formal qualities that mark them as different from mainstream Hollywood films”, which includes, among other elements: a social realism style; an emphasis on the authorial expressivity of the director; and a focus on the thoughts and dreams of characters, rather than presenting a clear, goal-driven story. All three film operators can be seen as unrealistic to provide to as it would involve distribution rites being given to the cinemas in question which would be completely out of question as the budget given to the group was minimal. From which the Art House cinemas would be seen as the more viable.

Although a more viable solution would be to release the film on a DVD, although again costs of copying and rights would mean the minimal budget given to the group would be another stumbling block as the DVD would have to be advertised continually. Television is an even more viable option as terrestrial television especially channel 4 would possibly invest in the film during seasons of television such as the recent ‘Slumdog Millionaire’/ Indian Winter season highlighted. It also provides endorsement for creative new programmers such as; the Inbetweeners, Skins, Shameless and Misfits which have all been successes with some even being gossiped about becoming a movie.

Social Networking such as YouTube, MySpace and Facebook would be a greater option as it would open the avenues to further endorsement. YouTube for example uses the money from subscribers to invest in amateur channels such as charlieissocoollike and richiesherman which could even end up on television programmers such as ‘Rude Tube’ that uses YouTube videos.

Therefore placing our clip on Youtube could represent a chance for the film to be developed and placed onto television with channels such as Channel 4 representing the best prospect. TV preogrammes such as Friends, Inbetweeners and Skins are now recognised as part of the British television culture. Although programs such as Gavin and Stacy have developed from small scale budgets to become mainstream with rumors of movies as a result. Seeing as ITV base their programming around commercial finance rather than the BBC who use TV license money to produce programs such as Mock the Week and Never Mind The Buzzcocks which regularly attract over two million viewers.

Small film festivals are seen as provides moviegoers with the first exposure to cinema's best new films. Influential international film festivals as Cannes Film Festival, The Toronto International Film Festival, Venice Film Festival, and The Sundance Film Festival showcase the most exciting work by contemporary film makers. Cinephiles will want to stay up to date with news from these top film festivals. Films such as Slumdog Millionaire have passed through these festivals with it going on to win many Academy awards and even Oscars.

4. What would be the target audience for your media product?

The target audience of the product is that of a 15+ age group, this is because the narrative is seen as the key to story, of which a fifteen year old is able to manage. The British Board of Film Classification or BBFC allowed:

· A strong threat of menace

· Drug taking allowed but not encouraged

· Dangerous Behaviour

· Strong Language

· Appropriate theme

· Strong Violence

For me I believe that the storyline involved in the plot of the movie is completely suitable for the target audience as terrorism is a threat that 15 year olds and above will deffinently know about as they would have seen the media after the September 11 attacks as well as July 7 attacks in London. Although as a result of this, it would limit the type of media producer that would acknowledge the piece of media we have created as a group. The terrorism theme at the moment is seen throughout the world creating severe sorrow such as the families having to watch their sons/daughters die in Iraq.

5. How did you attract/ address your audience?

The theme of terror is one headlining many types of media whether it is on the news with deaths in Iraq or terrorist atrocities such as that of 7/7 and 9/11. The audience group that we set out to attract felt that it was reflective of them in an everyday sense as they go to school and some may have witnessed or been a part of bullying in one sense or another. The conventions of cross-cutting and increased pace in the editing was something that the group as a whole tried to incorporate with effects of black and white to show the flashbacks of the bullied victim whilst also including a wide range of shots and transitions (as seen in the film trailer at the beginning of this post) as commented upon in our audience feedback .

Although the compliments of the feedback were also coupled with suggestions such as adding more sound and titles to attract the audience to the film, the music, was seen as not long enough which the audience believed effected the tension and suspense it created. Also after the first edit the audience believed that the titles used didn’t make the sequence as believable as if it had been for instance a thriller such as a James Bond opening sequence.

The theme of bullying was also seen as a daily problem in some schools with us addressing 15 year olds who may have been part of bullying in one form or another, a problem facing many everyday. But also the school setting is seen as relevant with that being a place of torture for some who are faced with the possibility of being put under pressure from others such is the circunstances surrounding Madeline, the key character.

6. What have you learned about the technologies from the construction this product?

During the research, preparation and editing of this project many different forms of technology were used. It started in the research with the use of an internet blog to store the research for what would end up as the film. New media has significantly influenced the making of this product as the internet as a whole was used throughout all processes of the film, whether to research key historic films in the thriller genre or just plainly to organise a film shoot between the four of us. The iMovie technology allowed us to develop our film in different orders to what had been arranged in the storyboard with the editing process being made easier by this technology.

Internet video websites such as YouTube provided an extremely helping hand as we were able to find influences for this production. The internet was seen as essential in providing the group with able copyright free music, which would become either the score to build up the tension in the background or plainly as the school bell/ fire alarm.

Technology such as non-linear editing software such as iMovie allowed editing to become less of a difficult job as redrafting was easy to understand meaning editing wasn’t needed in a regimental style order and filming could be done in a different order to the one prescribed on the storyboard. This allowed the group as a whole to make executive decisions on the order of scenes and whether or not the final edit would stick to the order of the storyboard. The digital cameras also filmed in DV tape or digital video tape. The impact of this is to give a more grainier finish to give a more realistic feel to the scenario as the lighting is more realistic, a reason why tape like this is used on the news and soaps such as Eastenders and Coronation street to name just a few. This is compared to Celluloid which is used in a majority of Hollywood movies and more domestic programmes such as Hollyoaks which gives a brighter feel to the lighting and wouldn’t have created a good enough tone to the film.

7. Looking back at the preliminary task, what do you feel you have learnt in the progression from it to the full product?

From the preliminary task I feel the planning and organisation of the main task was extremely different from small effects such as high angles and match on action to adding a score and transitions to a film. The preliminary task was one that provided problems especially in the area of continuity as in one scene a character or object may be in the camera view but in the very next scene filmed at the same place it wouldn’t be. This was a problem as group we were forced to try and create as many closed sets as we could in order to present the film as if it had been filmed as one and not in many different cuts.

In the preliminary task the group as a whole was able to use the camera for relatively the first time, which meant that silhouettes of the camera operator would appear if there was scenes involving doors, mirrors or shiny surfaces meaning as a whole the suspense would be lost from the scene. This is compared to the final project on which the whole group was more familiar with the camera and understood how to use it much more than had been the case in the preliminary task, zooms were used instead of walking the camera up to the character involved for close-ups and actions such as tilting and panning became easier to manipulate allowing for a smoother transition.

Furthermore during the filming of the final film we had to pay close attention to detail with character clothes and props closely monitored as to make sure there could be no confusion as to the role of which character was. During the preliminary task we also found out how hard it was to film in an open set with continual movements past the camera and unwanted ambient noises. From this we understood further how to maintain a closed set inside school filming at hours of the day where a majority of the group members were able to film allowing for the ambient noises to be only that of which we wanted and not from distractions.

The preliminary task also faced the group for the first time of having to use set camera a movements such as panning, tilting and use of high and low angles, of which everyone had a faint idea of how to capture. The final edit contains tilting and panning showing how the camera had to placed in a variety of positions to create the scene and film it, with approximately twenty minutes of practice/unwanted footage as a result. The sound was another major issue facing the group as the sound was not always there for a purpose, during the preliminary task this was a major issue with filming having to be repeated several times as passers-by talking would be picked up by the sensitive microphones on the camera. It was also another reason why as a group closed-sets were preferred as it meant minimal unwanted sound was picked up. Editing during the preliminary task was made harder due to the fact that there was no experience of camerawork between the group with match-on-action and the 180 degree rule becoming harder and transitions unheard of. It meant that during the filming of the final film, the experience of each of the group grew and with that came the added advantage of filming match-on-action whilst not breaking the 180 degree rule and no jump cuts. Transitions were made by using the preview palette and applying transitions to multiple clips.

The problems of the preliminary task meant that the main task filming and editing was made more convenient, the experience of the camera was shown especially through the tilting and panning throughout the film. The editing also provided less of a challenge with the controls on the iMovie task bar seen as less difficult with it seeming easier to create a free-flowing film rather than an badly grained version of a film.


Ryan Angell

Friday, 15 January 2010

Story-boarding

The storyboard that we created has set up enigmas through the camera angles used and the limited amount of dialect. There are a number of close-ups of feet while Madeline is walking, this gives the idea to the audience that the journey down the corridor is significant, and the fact that the sound we hear is the footsteps, gives more suspense as the sound is echoed through the corridor. Also, from the close ups of the feet, towards the end, there is cross cutting between the protagonist and the office door, and the briefcase that Madeline is holding. With this, the audience is being introduced to enigmas; "What is in the briefcase? Why is she going to the office?" etc. 

Also, there are both high and low angles that give the idea of a hierarchy within the characters.

The fact that there are flashbacks while Madeline is going towards the office creates a link between the past and the future, creating suspense. And with the idea of revenge and violence, it does embody the ideas of the thriller-genre. Also, the fact that it is set in a school creates a personal link towards the age-range that our film is aimed for. 

Casting


Appropriate casting is vital in the authentic value of the film sequence, there are three predominant roles in this sequence, as well as extras. The three predominant roles are:

  • ·               The Protagonist- Madeline
  • ·               The Bully
  • ·               The Teacher

The Protagonist

This is to be played by a vulnerable looking actor; this cannot be played by someone who is physically built as this will not make a convincing victim of bullying. Also, this person must be someone who is not entirely materialistic or ‘flashy’ as this is also not a quality of the typical ‘quiet’ victim.
And so, with costume, the protagonist
should be ‘modestly dressed’, with no flashy brands or colourful clothing; also, by using neutral colours for costume, this connotes that the character does not want so much attention and that they are used to be ‘in the background’.
And so, Madeline will wear glasses. During the scenes in the flashbacks, Madeline will wear school uniform, this is to give the audience anchorage with the idea that it is set in school.
With performance, Madeline is to act very concealed and quiet in comparison to everyone else, although she may have some fight in her, it is apparent that no-one is on her side, and so she backs down and accepts defeat; this is apparent through the scene when the teacher sides with the bullies rather than Madeline. The body language of Madeline will be very ‘shy’, and the tone of the voice will not be strong and confident.

 

The Bully

This is to be played by a strong teanaged actor; the actor is to be bigger than the protagonist, and the body language should be bold and confident. Unlike Madeline, the bully’s posture should be strong, as she feels confident amongst her peers; she knows she is the predominant person in a classroom as she is followed by others.  Also, her costume should be more shabby than Madeline, with rolled up sleeves. Her voice should be loud and predominant, all actors are to have English accents as the movie is set in England.

 

The Teacher

This is to be played by an older actor. As a teacher, this character should be a lead voice in a classroom, with a short temper as there is a part where they shout at Madeline when she did nothing wrong. The teacher is to wear smart attire as it is necessary in a school environment.

 

 

Also, there are a number of extras in a classroom to give anchorage to the audience that the scene is in a classroom environment. These are to be dressed in school uniform, and to be of a similar age of the bully and Madeline.

Tuesday, 12 January 2010

Shooting Schedule

Here is our shooting schedule:


Shoot 1:


Shots 3-12


Shots 22 and 23


Shots 31 and 32


The location of these shots is the Hall Way/Corridor



Shoot 2:


Shots 13-21


Shot 24


The location of these shots is the classroom but shot 24 will be filmed in a different classroom



Shoot 3:


Shots 25-36


The location of these shots is the Teacher's Office



Shots 1 and 2 can be done using editing as they include the title of the film and require no filming.

Friday, 8 January 2010

A Case Of Revenge: Scripting

A CASE OF REVENGE:  ORIGINAL SCRIPT

Madeline, the protagonist returns to the school, holding a briefcase, with the intentions of planting the bomb into the Head Teacher’s office.
As she is walking down the corridor, a series of flashbacks are revealed of why she is pursuing a chain of revenge plots against the teachers and students who she feels that have oppressed her into her current depressed state.

The first flashback is of a bully pushing Madeline against the wall.

Bully: (slow motion mouthing) You don’t belong here

The protagonist drops to the floor as she is verbally abused.

The sequence then continues back to the present; the protagonist is still walking down the corridor towards the Head Teacher’s office, still holding the brief case.

The second flashback is of the Head teacher taking the bully’s side over the protagonist.

(In the classroom) The class is silent and doing work, while the teacher is sitting at his desk marking papers. The bully and her friends are constantly poking and throwing things at the protagonist.

Bully: Oi! Loser.

Protagonist turns around and the bully and her friends suddenly pretend to be doing work.

Teacher: MADELINE! TURN AROUND AND DO YOUR WORK!

Madeline: But sir-

Teacher:  I don’t want to hear it, get on with your work

Madeline continues to do his work. Then the bullies start throwing things at her again.

Madeline:  (Turns around) Stop it!

Teacher: That’s it!

Madeline: I’m not doing anything! They’re throwing these pieces-

Teacher: NO. Enough with your excuses, get out. Those students behind have done nothing but do work all lesson. I’m sick and tired of you wasting my time and disrupting this lesson.

Back to the present; the protagonist continues through the corridor and walks into the Head teacher’s office, she puts the briefcase on the desk, exists the room, closing the door behind her and walks out; down the corridor once again.

 

With this script, we amended it in order to fit the appropriate thriller subgenre that we are aiming for. Also, we found that by using less speech and more film techniques we can reflect the mood and intentions of the protagonist without making it so obvious and underlined with dialect; we found that by using less speech we were able to create more of an effect of mystery, and with more cross-cutting we intend to make a connection with the briefcase and the office - creating the technique of enigmas, which is a key technique in the thriller genre.
Thus, here is the modified script:

 

 

A CASE OF REVENGE: MODIFIED SCRIPT

 

Madeline, the protagonist returns to the school, holding a briefcase, with the intentions of planting the bomb into the Head Teacher’s office.

As she is walking down the corridor, a series of flashbacks are revealed of why she is pursuing a chain of revenge plots against the teachers and students who she feels that have oppressed him into her current depressed state.

The first flashback is of a bully pushing the protagonist against the wall.

 

Madeline: (slow motion mouthing) You don’t belong here

 

The protagonist drops to the floor as she is verbally abused.

The sequence then continues back to the present; the protagonist is still walking down the corridor towards the Head Teacher’s office, still holding the brief case.

The second flashback is of the Head teacher taking the bully’s side over the protagonist.

(In the classroom) The class is silent and doing work, while the teacher is sitting at his desk marking papers. The bully and her friends are constantly poking and throwing things at the protagonist.

Protagonist turns around and the bully and her friends suddenly pretend to be doing work.

 

Teacher: MADELINE! TURN AROUND AND DO YOUR WORK!

Madeline: But sir-

Teacher:  I don’t want to hear it, get on with your work

 

Madeline continues to do her work. Then the bullies start throwing things at her again.

Back to the present; walking down the corridor, Madeline starts to hear mutters of laughter in her head, which then develops to an image of students surrounding her laughing and pointing. There is then a voice over of her own thoughts;

 

voice over: hahahahha yeh, laugh away.. lets see who gets the last laugh.

 

The protagonist continues through the corridor and walks into the Head teacher’s office, she puts the briefcase on the desk, exists the room, closing the door behind her and walks out; down the corridor once again.

 

Locations for "A Case of Revenge":

Locations for "A Case of Revenge":
This shot shows a picture of a classroom situated in Gunnersbury Catholic School Sixth Form Block. This shot will be used for the flashbacks within the sequence. This location is ideal for filming is well spread out, with good lighting and clearly sets the visual representation that the location is a classroom. This will be essential for the flashbacks in which the bully shouts at the main character of the opening sequence.

This shot shows a picture of the school corridor situated in Gunnersbury Catholic School Sixth Form Block. This shot will be used for the dramatic entrance to the head teachers office. This location is ideal for filming it is narrow, long and enclosed, which could put forward the metaphor that the narrow enclosed corridor mirrors the main characters feelings. The corridor has enough lighting in order for the filming to be applied in this location meaning that no extra use of lighting needs to be applied to the location.

This shot shows the entrance of Gunnersbury Catholic School Sixth Form Block. This shot will be used for the establishing shot of the entire sequence. Once again the use of a narrow passage way is used, connoting a long entrance ahead for the main character. The best time to film at this location would be during the day as we are using exterior lighting and not artificial lights to film the sequence. The sequence would be ineffective it the sequence was filmed at night. 


  These shots show the stairs of Gunnersbury Catholic School Sixth Form Block. This shot will be used for shots as the main character dramatically enters the Head Teachers office. The stairs are a good place to film as there is enough natural light from the window and various shots can be applied on the stairs to maintain tension and suspense in the sequence. The sequence could be film at any time of the day as it can be filmed with electric or natural lighting. 

This shot shows pictures of the head teachers office situated in Gunnersbury Catholic School Sixth Form Block. This shot will be used for the dramatic climax at the end of the sequence. This location is essential for the climax as this is where the last sequence takes place and the bomb is set off. The room is full of bright artificial electrical lights, which will light up the room and mean that no too much preparation is needed for the prepaation of the room as the layout is already set as a head teachers office. 

 


Friday, 11 December 2009

BBFC classification guidelines

The BBFC Classification Guidelines:








The BBFC or British Board of film Classification is the organisation legally responsible for film classification across the United Kingdom. The BBFC have the power to persuade cinemas into choosing the movies they will show at cinemas as many local authorities rely on the certifications of the BBFC.  Every film released in the UK must have an age certificate by the BBFC, which limits the ages of the audience that can watch, rent or by a specific movie. The BBFC sets guidelines that assess the appropriate viewing rate for theatrical films. These guidelines include Discrimination, Drugs, Horror, Imitable behaviour, Language, Nudity, Sex, Theme and Violence. All films in the United Kingdom are classified by these absolute guidelines. The certifications add details to allow the audience to witness the conventions that have placed a specific film into a certification. The BBFc’s guidelines are crucial for the audience and the BBFC has broken the certificates into “U” “PG” “12” “15” and “18” guidelines, all according to age. These certificates define the movie to the audience and also prohibit certain age groups attending movies as it may psychologically affect them.



Universal (U) – A universal certified film is suitable for all ages. The BBFC believe that it is impossible to predict what may upset a child in this movie. Universal films should be set in a positive moral framework that counterbalances any violence threat or horror. The Conventions within a universal film would show that:

·        Discrimination – No discriminatory behaviour

·        Drugs – Drugs can only be approved if they are being used to teach morals

·        Horror – Mild sequences, which will not cause anxiety to young children. The outcome must be reassuring.

·        Imitable Behaviour – No Dangerous behaviour that children will imitate and no emphasis on easily accessible weapons.

·        Language – Very mild bad language.

·        Nudity – Occasional natural nudity, but no sexual content.

·        Sex – Mild sexual behaviour for example kissing and inferences.

·        Theme – The theme must be sensitive for young children.

·        Violence – Mild violence used.

An example of a Universal certified film is the 2003 film “Finding Nemo” which was certified as available for all ages by the BBFC.


The Trailer of “Finding Nemo” can be found at: http://www.youtube.com/watch?v=gfgeIZyrIM0

“Finding Nemo” is an example of a universally certified film. However, a thriller sequence could not be certified as a “U” as it would restrict the amount of psychological tension and suspense, as it would be more than likely that young children may be affected from sequences of the thriller genre. The only positive would be that the audience will not be restricted.


Parental guidance (PG) – A “PG” certified film is classified as general viewing however some scenes may be unsuitable for young children to watch. A child accompanied by an adult may watch a PG rated movie, but parents should assess whether the context may upset a child less than 8 years of age or children with a more sensitive nature. The Conventions within a Parental Guidance film would show that:

·        Discrimination – Unlikely unless it refers to educational or historical context.

·        Drugs – Reference to drugs must be negative and portray that drugs are wrong.

·        Horror – Sequences must not be too intense or prolonged. Fantasy sequences are alternatives.

·        Imitable Behaviour – No focus on dangerous acts a child is likely to follow.  

·        Language – Mild bad language only

·        Nudity – Natural nudity and no sexual content

·        Sex – Sex activity can be implied, and innuendo can be shown

·        Theme – Serious themes such as domestic violence should be condoned as wrong.

·        Violence – Moderate Violence without too much detail.

An example of a Parental Guidance certified film is the 2002 film “Harry Potter and the Chamber of Secrets.” The BBFC believed that parents should asses the movie before taking their children to watch the film. 


The Trailer of “Harry Potter and the Chamber of Secrets” can be found at: http://www.youtube.com/watch?v=dmPrfYkpwTY

“Harry Potter and the Chamber of Secrets” is an example of a Parental Guided certified film. However, similarly to a universally certified film a parental guided film would restrict the amount of psychological tension and suspense within the thriller sequence. Although parents would be able to assess if the sequence would be suitable, a Parental Guided film still dilutes the true conventions of a thriller film as it could affect young children.





12A – A “12A” certified film is suitable for children aged 12 years and over. The content is only suitable for people aged 12 and over and younger children are advised not to watch, as it may cause upset. No one under 12 may see a “12A” film unless accompanied by an adult, if the adult’s judgement is suitable for the film. This moves the responsibility of the child’s actions on to the adult. The Conventions within a “12A” film would show that:

·        Discrimination – Discriminatory behaviour must not be constantly used.

·        Drugs – Any misuse of drugs should not be glamorised and scenes involving drugs must be infrequent.

·        Horror – Moderate physical and psychological threat is permitted, but these scenes are not frequent.

·        Imitable Behaviour – Dangerous behaviour should not be copied or appear harm free.

·        Language – Moderate Language can be used and bad language must be infrequent

·        Nudity – Sexual content must be brief and discreet

·        Sex – Sex can be briefly portrayed. These scenes must not go beyond what is suitable for young teenagers.

·        Theme – Most themes are acceptable as long as they are suitable for young teenagers.

·        Violence – Moderate violence, but not dwelled upon. There should be no emphasis on blood, but occasional gory sequences can be accepted if it is related to the context. Sexual violence must be implied and have strong contextual justification.

An example of a “12A” certified film is the 2007 film “Spiderman 3.” The BBFC believed that children under 12 should be accompanied with an adult when watching this film. 

The Trailer of “Spiderman 3” can be found at: http://www.youtube.com/watch?v=szh5ZsAcgJU

“Spiderman 3” is an example of a 12A certified film. However, unlike universally certified films and parental guided films and thriller sequence could be introduced at the rating of a “12A.” This rating allows a thriller that plays on mild suspense and tension to develop however some conventions in this guideline would still restrict the sequence developing in full contextual depth. An example would be the limit of  horror as only mild psychological threat is accepted and the scenes must be infrequent, but this is crucial factor in Thriller scenes.





15 – A “15” certified film is suitable for people aged 15 years and over. It is prohibited for people under the age of this group. The Conventions within a “15” certified film would show that:

·        Discrimination – The film must no completely endorse discriminatory behaviour.

·        Drugs – Drugs can be shown, but the movie must not encourage drug misuse.

·        Horror – Strong threat or menace are permitted, unless they are sadistic or sexualised.

·        Imitable Behaviour – Dangerous behaviour should not be dwelled upon or glorified.

·        Language – Frequent use of strong language, but harsher terms e.g. “cunt” must have a relation to the context. Words can be repeated

·        Nudity – Nudity is acceptable without strong detail.

·        Sex – Sexual activity is acceptable without too much detail. There can be strong references to sexual behaviour and it must be justified by the context. Sexual arousal is accepted.

·        Theme – No theme is prohibited, as well as it is suitable for 15 year olds.

·        Violence – Violence is accepted, but it cannot dwell on the infliction of pain and injury. Strong gory images are not acceptable

An example of a “15” certified film is the 2007 film “Kingdom.” The BBFC believed that children and adults over 15 are recommended age to watch this movie.  



The Trailer of “Kingdom” can be found at: http://www.youtube.com/watch?v=CGcdCjg_cMc

“Kingdom” is an example of a 15 certified film. Similar to “12A” certified film thriller sequences can be used within this rating as the conventions situated within a “15” certified film can apply to a thriller sequence.  A thriller sequence would be easily portrayed within this certification as fear, threat and mild horror can be applied to the sequence. A certification of “15” would help the audience asses that there will not be too much horror within the sequence because it is not an “18” certified film, which would possible play on the horror frequency of the thriller genre.




An “18” certified film is suitable for people aged 18 years and over. It is prohibited for people under the age of 18. An “18” certified film must relate to the 1998 Human Rights Act which focuses on what adults should be able to watch. Exceptions would be found in the following areas.

·        The material may breach criminal law or has been commissioned through a criminal offense.

·        The film appears to risk harm to society e.g. dangerous acts, which could effect social or political morals.

·        Explicit images must be justified within the content.

Other conventions in the “18” certification include:

·        Sex education – sex material informs and education’s matters in human sexuality.

·        Sex works – the focus on sexual arousal and stimulation and these stimulation are generally passed.

An example of a “18” certified film is the 2007 film “28 Weeks Later.” The BBFC believed that children and adults over 18 are recommended age to watch this movie.  




The Trailer of “28 Weeks Later” can be found at: http://www.youtube.com/watch?v=CiLQmDBQawE

“28 Weeks Later” is an example of an “18” certified film. Unlike the ratings of “12A” and “15” certified films “18” certified films could limit the age groups of people that will be able to watch our thriller sequence. The general age group of thriller as 14 – 20 year olds and if our thriller sequence was certified “18” our audience would be limited.  People may expect more gory scenes and horror in an “18” certified film and this is not an ideal convention for the thriller genre. A certification of “18” may provided limitations for our thriller genre.  

Apart from these age guidelines, the BBFC also look at legal laws in society. These include:

·        The obscene Publications Act 1959 & 1964

·        Criminal Justice and Immigration Act 2008

·        The Protection of Children Act 1978

·        The Animal Welfare Act 2006

These acts of legislation also contribute to the final certification the BBFC give to films


Questions in regards to guidelines:



How would each of the possible classifications affect the options for your film?

Our opening sequence is in relation to the thriller genre. This would require some psychological suspense and dramatic tension that may affect the audience. However, the certifications of “12A” and “15” can be considered as possible classifications for the thriller sequence. The guideline of “12A” could be ideal as it provides the audience with enough suspense without using gory images or psychologically affecting a young audience of 12 years and above. In addition, this would lead to the certification of “15” which would further allow our opening sequence to target a slightly older audience who could be more aware of certain physical or psychological effects situated within the sequence.

 

However the “18” certification may not be the best candidate for the thriller sequence. The “18” certification can relate to the thriller genre. However, if the audience saw that our thriller sequence was rated “18” the may believe that the sequence would relate closer to the horror genre. An example of this is “28 Days later” which is acknowledged in both the thriller and horror genre. This may damage the effect of our thriller sequence and the audience we may want to attract.

 

Which classification will be the most suitable in terms of audience and content appropriate for the thriller genre?

The best classification for a thriller sequence would be a “15” as it allows the directors to expand their conventions applied in the sequence, something they may not be able to do in the “12A” certification. However, the “12A” certification could also be equally effective, but it may depend on the subgenre of the sequence. An example of a “12A” thriller would include “Flight Plan” whilst other thrillers such as “Phone Booth” have been classified under the certificate of “15.” Both certifications can be equally effective, but it depends on the subgenre of the sequence and the approach directors may want to take in regards to the sequence e.g. Themes.